Teaching Tips

About Anthony Perrotta

A graduate of Humber College’s prestigious Film and Television Production program, Anthony’s (@aperrottatweets) experience in Canadian film and new media production is extensive and diverse. From corporate film experience to independent film and new media works, Anthony’s love of film/new media led him to a career in teaching that has been equally and deeply rewarding.

With a specialization in Communications Technology and Broad-based Technological Studies, Anthony has been committed to providing students with culturally relevant learning experiences. From nurturing students to tell their own stories through video production and sharing their “why” through digital portfolio design and social media branding, Anthony continuously works to cultivate spaces of learning where students feel empowered to show what they know and who they are.

With a commitment to professional learning, Anthony has held a number of positions that allowed him to leverage his expertise in digital media to serve teacher professional development. From 2011 – 2014, Anthony was a Resource Teacher with 21st Century Learning and AICT at the Toronto Catholic District Board. In this role, Anthony worked to support teachers across the TCDSB with the integration of 21st Century teaching and learning strategies and skills with a focus on digital media production, media literacy and the implementation of eLearning. In this resource role, Anthony was the District eLearning Contact for the TCDSB and was the Principal of Continuing Education eClass for a number of years.

With a commitment to student learning and the love for the classroom, Anthony ventured back to the classroom where he became the Department Head of Business and ICT Studies at Chaminade College School. During his time as Department Head, Anthony was responsible for the development of a Communications Technology program enriched by experiential teaching and learning practices. From industry partnerships with Disney Canada to collaboration with film and new media academics and industry professionals, his goal was to provide students with an experience that transcended the traditional classroom space. Furthermore, while at Chaminade College School, Anthony worked with partners including design thinker Dr. Marlyn Morris to develop a culturally relevant pedagogy framework to empower students to become global citizens with a focus on efforts to address anti-Black and BIPOC racism.

With all of this, Anthony is now a Vice Principal with the Toronto Catholic District School Board and is committed to servant leadership with the goal to empower teachers and students to be leaders of change in school and beyond. Anthony is currently Vice Principal at St. Anne Catholic Academy, School of Virtual Learning. In this role he works to support nearly 30,000 FDK-12 students who are being schooled online during the global COVID-19 pandemic.

Anthony holds an Honours Diploma in Film and Television Production from Humber College, a BA in Film Studies (with Distinction) and a Bachelor of Education in Communications Technology from Brock University. Currently, Anthony is completing his Master of Education in Media Literacy at Queen’s University.

Anthony has written media / technology curriculum for Niagara University, Queen’s University, OECTA, OPHEA, Nelson Education, Catholic Curriculum Corporation and other institutions across Canada and has presented at a number of leading educational conferences including Reading for the Love of It, STAO, Connect and When Faith Meets Pedagogy.

Connect with Anthony: Email | Twitter

Listen Now

Listen to the episode now on Apple Podcasts, Spotify, or on your favourite podcast platform.

Resources Mentioned

Anthony’s Personal Website

Film and Television Production at Humber College

Film Studies at Brock University

Media and Communication Studies at Brock University

Masters of Education at Queens University

Toronto Catholic District School Board

21st Century Learning and AICT at the Toronto Catholic District Board

Chaminade College School

St. Anne Catholic Academy, School of Virtual Learning

Ontario English Catholic Teachers Association (OECTA)

OPHEA

Nelson Education

Catholic Curriculum Corporation

Reading for the Love of It Conference

Science Teachers’ Association of Ontario (STAO)

When Faith Meets Pedagogy Conference

The Transcript

**Please note that all of our transcriptions come from rev.com and are 80% accurate. We’re grateful for the robots that make this possible and realize that it’s not a perfect process.

Sam Demma (00:00):
Welcome back to another episode of the High Performing Educator podcast. This is your host and youth speaker, Sam Demma. Today’s guest Anthony Perrotta is actually someone that I connected with on Twitter. And I just, I’m just coming back from taking eight months off social media. I’ve been on Twitter for a little while and we met through mutual educator connections, and I asked him if he’d come on the show. He has a very unique that led him into education and he has some very grounded, genuine perspectives and experiences that I think would be super helpful to hear about. From the onset of his early career in education, Anthony Perrota has been compelled and dedicated to knowing and empowering students in telling their stories.

Sam Demma (01:21):
With no surprise, he has a huge interest in film as well. As Vice-Principal, Anthony continues in his journey as a leader, committed to creating safe, equitable and inclusive spaces for all students. All while intentionally addressing anti-black and BIPOC racism. Anthony has a very unique again, journey into education. You’re gonna get a ton out of this interview today. I can’t wait for you to hear it, and let me know what you think. Buckle up and I will see you on the other side.

Sam Demma (01:49):
Anthony, thank you so much for coming on the High Performing Educator podcast. Huge pleasure to have you on the show. Why don’t you start by sharing who you are; introducing yourself, and a little bit behind what led you to the work you’re doing in education today?

Anthony Perrotta (02:03):
Well, thanks for having me, Sam. I’m not sure how high performing I am but we’ll have a good conversation I’m sure. So right now I am a Vice-Principal, a secondary school Vice-Principal with the Toronto Catholic District School Board. I’m part of the St. Anne’s Catholic Academy school of virtual learning team. This was Toronto Catholic’s response to COVID impacted pandemic learning. This is a fully virtual school, K to 12. There’s over 25,000 students, and I see your mask jump up there. And, and there’s a, you know, great team of teachers, of educational support workers, secretaries, administrators; like it really is a fulsome school in terms of how we want to serve students. And it’s you know, been really, really quite a fulfilling experience to be part of this type of I guess mechanism. I hate to say that word, but it feels like it at times because it is so big.

Anthony Perrotta (03:13):
And prior to becoming an administrator, I was a very passionate and still very passionate about education, classroom teacher. My background’s in film and so I was fortunate to have experience in film production and then transition into the world of education, where I taught communications technology, media studies, and really engaged in a unique experience where I could learn from students and then provide them opportunities to share their story. And for me, becoming a teacher was really about leaning into my experience as a documentary filmmaker, which was really the, the forte that I, that I entered upon finishing film school in the early 2000s and where some people say, well, you went to become a teacher, perhaps because you couldn’t make it in film. Well, anyone who has any experience in Canadian film knows that it’s never about money. It’s, it’s, it’s not Hollywood.

Anthony Perrotta (04:24):
Especially when you make documentary films, you really aren’t making these, these movies for personal wealth. You’re making them because you’re passionate about a particular story you want to unlearn and relearn through the narrative that you’re hoping to bring to life. And it was through a documentary that I was producing in Tanzania, where I met a group of students where my thinking around education was really, I think, reaffirm that young people have a transformational power about them and similar to yourself with your volunteer work and, and your social your social initiatives. And I wanted to be part of, I think that world really, and, and getting to know kids through more of a mature lens, stripping away assumptions of what we think, especially about teenagers and really support the empowerment of their voice. And, and that’s where my mindset was when I became a teacher and, you know, finished schooling, University, teachers college, and all those types of things.

Sam Demma (05:35):
You know, you brushed over Tanzania and you got me so curious, like how, how did that experience reaffirm this idea that, that young people have this transformational power about them? What happened in Tanzania that really shifted or, or affirmed your perspective?

Anthony Perrotta (05:50):
Yeah. Yeah. Well, let me peel it back a bit. So I went, I grew up in Niagara falls and then I went to study film at hum college in Toronto. And I was there from 1999 to 2002. And during that three year period, two of my years was working as a resident assistant counselor within the student residence. So my first year as an 18 year old going to film school, living in residence was about the party. And, you know, it was a great first year being 18, 19 years old, living away from home. My gosh, I’m surprised that I could wake up for classes some days. But then second and third year, I really became invested in the culture of the community and wanted to give back. And so I was successful in becoming a resident, assistant a counselor and living in the residence as a student, but also supporting my, my peers on my floor.

Anthony Perrotta (06:46):
And that provided me, I think, with an affirmation that yes, being part of the film industry, learning how to tell these stories, learning how to leverage technology and economics and get something made was quite compelling, but there’s something quite human and relational about working with people. And even as an RA and as a counselor, I was really invested in that experience. I was like really motivated to engage with people, to help them and, you know, learn from them. And it was quite unique and it shaped me, I think, exponentially. And so when I finished film school and I was working in the film industry in Toronto and different unique experiences, I started leaning into documentary because I found I would have more creative control. I found that my political and social sensibilities could be addressed. I was, was an am still very politically minded. And there was an opportunity to work with a Catholic organization called the missionaries of the precious blood, where they wanted to document their work in Tanzania, developing water windmills.

Anthony Perrotta (08:03):
And it was a unique partnership because they helped fund the project. I received government funding outside of that particular group, it had a formal release, so to speak and tr terms of what a documentary would be a Canadian made documentary. So at 22, it was quite a significant project for me. And what was wonderful was I made really two films. One was the one for the missionaries. And then the other was mine, which was looking at the intersectionality between water international aid and pretty much mindsets around development. And so it was quite a unique piece. And when I was there, there was a group of teenagers from Camloops BC that were there traveling with me when I was making the film. So part of my film was then sh documenting some of their stories and perspectives. And it was amazing because here I am, as this 23 year old young filmmaker with, you know, independent and government funding, I, you know, it’s quite exciting.

Anthony Perrotta (09:16):
It was at the time where film was transitioning from cell, you know, from 16 millimeter to digital, like, you know, the little mini DV cams, like the new technology was exciting. It was expensive as hell, but it was exciting. And I just found myself really invested in finding out who these kids were, who I was traveling with. And I was really just amazed that at 15, 16, they were going to give up their summers and travel halfway across the world and come together as strangers, some of them and contribute to this cause. And then I thought about who I was at 15 and 16, and my experience was definitely not going to Tanzania to develop and work on windmills. I was working at Swiss and, you know, washing dishes on the tourism strip in ARA, which are humbled roots, but it was very, very separate from social consciousness and community engagement.

Anthony Perrotta (10:15):
So I was really, really motivated by these young people and just really admired how them being there, tore away at how sometimes adults think about teenagers and what they are able to contribute. And even, you know, within the world of education, there will be so much that we celebrate around teenagers, but there’s often times where they’re trapped within some type of stereotype. So I was motivated to peel back the stereotype. And I just had a sense that the idea of filmmaking was going to change quite rapidly, that how we make films and tell films and share stories and what we perceive a film to be was changing quite rapidly. And this was before YouTube. This was before Facebook, right? This is really us just recognizing digital technology with the birth of Napster, which would’ve been when I started film school at the end of my grade 13, that wait a minute, the mechanisms of production were going to shift.

Anthony Perrotta (11:22):
So when I became a teacher finally in 2005 and started in 2005 as a full-time teacher with the Negar Catholic district school board, that was really where I was introduced to not only my students, but this whole, whole new democracy around the telling of stories that now we had YouTube, which I never had as a student, for example. Right. So now the way I tell stories and the way I share them shifted the power game. So it was just a very, you know, transformational for me in awakening. So to speak when I met these young kids and just thought to myself, you know, I could still make films, the type of films I want to make that are small scale that are very personal, very intimate. And like when I was an RA at hum college residence play a different role. And, and that’s where the film world and the teaching world converged.

Sam Demma (12:25):
So filmmaking, is that something that you still do now

Anthony Perrotta (12:29):
And oh yeah. Yeah. So there’s no separation be between me and film. Like I happen to be a secondary school vice principal, but on the weekends, you’ll find me blogging about the MCU on Disney plus, or, you know, a film, a popular film that I’ve seen on TV. For me being a filmmaker as the priority, you will allows me to be a better educator. Mm. Because it’s my film making roots that allow me to be responsive to situations. And this is not to say that I look at life in some type of hyper real existence where life is like a movie, but I have to tell you studying how to make films, having a degree in film theory, going to teachers college. I’m just finishing my masters in media literacy at Queens university, looking at how popular film or any type of film, really media literacy, if you will, is very much cultural literacy allows me to be very, very open to the people I work with and the people I year to serve.

Anthony Perrotta (13:44):
So I’m a filmmaker first because that’s how I kind of see the world around me as story that everywhere I go, there’s a story, you know, right now there’s a gentleman in the backyard of my house putting together a Barbie, I’m terrible at putting together things. My wife is way better at instructional design and organizational matters than I am. I, I, I think I might have like undiagnosed ADHD. So I just kind of am outta control sometimes in terms of my thinking pattern. So if you say put together a barbecue, I’m just like, oh my gosh, like, this is not for me. Yeah. So I there’s a gentleman in the backyard now. And before he even started putting together the barbecue, like I chatted with him for about 45 minutes. So I don’t know if he’s gonna charge me for that 45 minutes that it was part of the the hourly fee. But that’s to say, I found his story so unique. Here’s this young guy coming, you know over to the house to put together a barbecue laid off during the COVID experience has leaned into taskrabbit.ca to it has made this as permanent gig. And so for 45 minutes, I was really just wanting to find out who’s this guy who’s over the house. He might be thinking, I just wanna put together your stuff and, and get outta your,

Anthony Perrotta (15:00):
But he had, you know what I have to say, we had a really nice, good conversation. And I could tell that he was like, whoa, this guy’s actually taking the time. Speak to me. Like, he’s not just, here’s my barbecue. And here’s, you know, a sectional that I want you to put together in the backyard. It was a, you know, we had gave him an espresso, he had a coffee and we chatted. And so that’s the filmmaker side of me that I love to dive into story. Right. And that makes you a great teacher. Hopefully I don’t wanna say that. I didn’t great by any means, but the greatest teachers I’ve had are the teachers that really wanted to know who Anthony Prada was.

Sam Demma (15:40):
Mm. You just basically answered the question that was bubbling up in sad while you were speaking, which was, why is stories so important? Why is understanding people’s stories super important?

Anthony Perrotta (15:53):
So when we think about story, even as a parent, I talk a lot about this with my own kids who are 10 and seven years old. There’s a humbling of one’s self. When you engage in story, it’s when you actually say, I want to listen. I want to observe. I want to unlearn and rele. And so when we provide, especially young people, safe and inclusive places to be who they are without prejudice, without judgment, without assumptions. When we start actually rumbling with the power structure of our institutions, our classrooms, for example, where we re eyes, it’s not about, you know, Anthony Prada, the classroom teacher it’s about who are potentially the 25, the 30 students in my classroom. Are they going to be given with intentionality, not by accident, not some morning chat that we start the week with. I mean, real instructional intentionality to ensure that the curriculum that I design is responsive to who they are.

Anthony Perrotta (16:59):
Mm. So the story means everything because it speaks to then as an educator, what type of content am I going to be engaging my students in? And that’s really the hot topic today. When you think about EC, when you think about the type of material that we are engaging in the whole debate around, for example, what is perceived to be a classic to kill a Mockingbird, right? Do we need to be teaching a kill a Mockingbird? Do we need to be using that artifact as a vessel to engage in conversations about equity and race? I would argue, no, I will argue no there’s many other books written by black authors, people of color that provide a more humanized and more representationally profound discourse to engage in story who are the students that compose our classrooms. There is once a time. Very recently, I remember I would often show one particular film with a group of great 10 students.

Anthony Perrotta (18:08):
And I would show back to the future and I would scream back to the future in class, peel it back, talk about its kind it’s dangers around representation. Because when you look at back to the future, everyone celebrates it as this classic eighties film, but it’s a Reagan night artifact. It rises out of 1985, Reagan America. It’s directed by Robert Zeus. Who’s, you know, quite conservative. And the film is really there to make a pronunciation around whiteness and classism that only at the end, when Marty’s father stands up to the bully, when Marty’s father asserts himself to be an American man, does he rewrite the history? And then Marty’s family, this white wealthy unit. And when they’re wealthy, then their problems don’t exist. And the only black character we see is the mayor who we don’t really get to know until, unless he’s serving in the diner.

Anthony Perrotta (19:11):
So I was showing that film and having some conversations, but then I just recognized that the climate of my classroom was changing, that the students were, you know, perhaps not responding to that film. And I learned the value this many years ago of saying, Hey, what choice do you wanna make here? This is what we could watch. What, what, what, you know, connects to you and the students would guide the conversation. And so that’s all to say that the artifacts that we are using in class to engage in whatever type of, of experience we’re hoping to build, hopefully then allows students to be as real, if you will, as possible. So that’s why story to me matters story to me matters because it allows me to understand people. It allow me to kind of check my own biases, my own blind spots. You have to be open to that.

Anthony Perrotta (20:18):
That takes a lot of work, right? That takes a lot of work for you to be able to lean into your own vulnerability and say, yeah, you know, I need to change. Or my thinking in this way is not right. It’s potentially harmful and dangerous. And then when you’re thinking about young people, you are saying, Hey, I’m just the facilitator of this space. This space is yours. I’m here to serve you and people get rattled. When there’s this thinking around servitude in education that as a teacher, I’m here to serve you. And I’ve said that to colleagues, not as an administrator, I mean, teacher to teacher I’ve said, Hey, what’s the rigidness around assessment, or what’s the rigidness around being more culturally responsive in some of our or practices. Why are there these barriers when we’re there as public servants paid for by the ministry of education?

Anthony Perrotta (21:18):
Yeah. With taxpayers dollars, we are there to be in service to the child in front of us. And that child in front of us is perhaps the one thing that somebody else loves more than anything in the world. And I have the privilege to be in that shared space for 72 or 75 minutes a day. And it’s going to be about me. It can’t be when I send my own children to their Catholic elementary school, I’m sending to that school. The two things that I care about the most in the world. And I would hope when they’re there, they’re teachers who are fantastic. And I say this with utmost confidence, they respond to them in elementary school. Teachers, I think tend to do this more naturally with my, with my bias because they’re with students all year round from September to June, got it. In high school.

Anthony Perrotta (22:18):
We tend when we’re teaching to be so content driven. I’m in math. I need to get through the curriculum. I’m in comp tech. I need to get through the curriculum. I’m in geography. I need to get through the curriculum. And then the big daddy of them all, I have to prepare these students for post-secondary. Mm. Right? If I showed you Anthony Prada, transcripts from kindergarten, all the way to grade 13, it would seem as if nobody was preparing me for university. But Hey, at this point, come fall. When I finish my masters, I’ll have a college diploma, two university degrees in a master of education, not bad for someone who other people may have felt was falling through the cracks from K to grade 13. So that’s just to say that the experience of schooling has to really be about not the educator. What about the kids, student centric, student centric, and your work. When you talk about student servant leadership, that’s what it’s about. Mm it’s about saying, how am I going to help you? What is my time here really about? And unfortunately, if in the world of education within the classroom, there can exist a great ego. And sometimes the ego that exists is that of the teacher. It’s my space. It’s my I’m giving you a test. I’m giving you a quiz. Well, within that space, then where does the student fit? Is the student just a vessel to meet the, the end game that you’ve prescribed?

Anthony Perrotta (24:02):
Right? It it’s, these are challenging ideas. And this is not to say that teachers aren’t doing wonderful work. Oh my gosh. I know so many wonderful teachers. Okay. I, I I’ll, I will never say I ran into, or I’ve worked with a teacher that I don’t believe in because the potential that is exponential, the work I’ve witnessed is fantastic. It’s transformational. However, there are time where we have to ask some real critical questions about our lesson design, about our assessment strategies. Are we really there about the students now in that too comes another tough, tough one, especially when you think about high school. And we say, well, I’m preparing students for university or college. That one there kind of always gets me a little bit worked up in terms of having a good conversation, because if you’ve been an educator who’s been far removed from university or college, then how do you know what works?

Sam Demma (25:07):
Hmm.

Anthony Perrotta (25:09):
Why are we, you know, working within a prescribed near of preparing students for university and college, when act, and when in actuality, the college and university in the post-secondary world is evolving and it’s transforming that their, their game is starting to change Yet. We say, you know, I’m, I’m still working. I need to, I can’t make this change for example, because I have to fit this curriculum piece in because of college or university. I don’t know. I’ve never seen an Ontario piece of curriculum that actually states check mark, I’m prepared child, a child for college or university. I’ve never seen it.

Sam Demma (25:51):
And who’s to say that, you know, every single student in that classroom, that’s what they wanna be prepared for

Anthony Perrotta (25:58):
Ex exactly. Right. And if I look at myself as an example, my experience was not a positive one when it came to content. Mm. I didn’t really connect with material, especially in high school, other than in my art in media classes. Cause I was really, you know, very early on, very, very much grounded in where can I tell story? Where can I have control of the mechanisms of storytelling? And so visual arts media classes really spoke to my sensibilities. I knew enough to play the game of schooling. I was respectful. I would get my CS and maybe a couple of bees here and there. I knew enough that, of course I wasn’t going to flunk out by any measures. Okay. But content, the content wasn’t speaking to me and what really spoke to me more was learning about process. And luckily how having really good teachers in unique courses that allowed me opportunities to be resilient, to construct new knowledge on my own, to be curious.

Anthony Perrotta (27:17):
And when we think about education today and what’s called 21st century learning, or are learning that as grounded in global competencies, we think about the critical thinking. We think about the collaborators. We think about skilled communication, for example, using digital multimodal medias to show what students know, we’re talking about a lot of the things that make filmmaking so exciting to me. And then when that student arrives to their post-secondary space, wherever that is, they will be able to thrive. And, and I’m, you know, I’m kind of proof of that because when I went to film school, probably teachers that said goodbye to me in June of 1999, when I graduated, they probably never thought that I’d be showing up in 2005 as a colleague teaching in that same high school as my first full-time job. And you know, what I gained outside of content was what was really invaluable.

Anthony Perrotta (28:25):
It was all about the pro us. And so when we can provide students with the freedom to make mistakes, to grow, when we provide classroom cultures where we’re committed to feedback, ongoing feedback, so a student can rework and be committed to mastery when we provide these opportunities, what we’re also providing our unique spaces to get to know the students. Mm. And the type of feedback I give to student a, in student E is going to be perhaps quite different. The way they respond to that feedback is going to be quite different. And so within that difference, our unique stories. Mm. And that was what excites me when I was as an educator, when I was in the classroom. And as an administrator, that’s what excites me when it comes to helping students and their families get through pro perhaps difficult times or supporting students, you know, to go to the next level, it’s the opportunity to pause and ask myself, how can I help you? And before I can even help, I need to get to know you.

Sam Demma (29:44):
Yeah. Ah, that’s so powerful. I love that. And you, you know, at the beginning of this interview, you mentioned this idea that the school you’re at now is so large, you know, sometimes it feels mechanical or like a mechanism because of how big it is. Can you tell me more about what the school looks like? It’s, I’m assuming it it’s a fully virtual school.

Anthony Perrotta (30:02):
It’s a fully virtual school from K to 12. Got it. Over 25,000 students. And again, in response to, COVID a fantastic team at all levels, like really transformational, really doing something at a scale that was never done before. Yeah. And I can only speak for myself, but the main difference is when you’re in a building as an administrator and you believe like I did having my door open and being in the hallways very rarely when I was in a school as an administrator. And it was only a short time that I wasn’t an administrator in a school because then COVID hit. And I, and I made a transition to the virtual. I was in the hallways all the time cuz that’s where the action was. That’s where the students were. That’s where you get a sense of what’s happening. And when you’re in your school and you’re responsible to a particular community and you’re serving that community, you get to know that community.

Anthony Perrotta (30:57):
That’s the big difference between being in such a, when I said mechanical is I’m reaching sometimes to students who I don’t really know them. So the conversations perhaps don’t have the nuance that I would have with a student in my homeschool, in a physical building. Got it. But that just means that some of the conversations I have within the virtual space, they take a little bit longer that, you know, I take my time and I, and I, and I allow the conversation room. So if a parent wants to share a piece of their story in terms of why something is happening, for example, they have that safe place to do so. And I will say, I talk on the phone a lot throughout the day. And some of the conversations are longer than they perhaps need to be in terms of the more technical piece that I’m trying to solve.

Anthony Perrotta (31:52):
But if I call a parent and that parent perhaps senses in my voice or in my approach that this is a safe place to chat, maybe they just need the chat. And there’s been many times where I must have gotten a parent or even a student on a day where they felt maybe alone and unheard and they just needed to have someone listen. And that’s really the most exciting part of being an administrator is that you get the privilege to listen to all, all of these unique stories. And it’s not about me. These are, you know, these are opportunities that are free of bias of prejudice because I recognize really now fully mature in my 15 years of teaching, that I’ve been blessed with so much growing up, I’ve been blessed with the privilege of schooling. I’ve been blessed with a wonderful wife with wonderful children that there’s been so much privilege in my existence that it’s not for me to pass judgment on anyone else. Mm. Because my world is going to differ greatly than some of the worlds in which I’m trying to navigate with students and their families.

Sam Demma (33:16):
I love that. I got it. That’s a, that’s a great point. And 25,000 students, that’s like a, that’s like a university. You’re like a huge campus. Yeah,

Anthony Perrotta (33:30):
It’s massive, man. It’s massive. And there’s so many administrators. We have a wonderful lead principal, Joe Russo. Who’s at the helm like really great, great family, man, there’s job, a great team of administrators, elementary and secondary superintendents. But really it comes down to the teachers, the support workers, everyone who is in that trench with the child, so to speak, I hate to use that metaphor of the trench. Right. but in that playground then if you will, of the classroom, the digital classroom,

Sam Demma (34:01):
I get that makes sense.

Anthony Perrotta (34:02):
Thinking I lost you there a little bit. But it’s a, it’s a huge mechanism. Oh, can you hear me?

Sam Demma (34:11):
Yes.

Anthony Perrotta (34:13):
Can you hear me?

Sam Demma (34:14):
Yep.

Anthony Perrotta (34:15):
I can’t hear you.

Anthony Perrotta (34:19):
There you go. Now I can hear you. Okay.

Anthony Perrotta (34:22):
So when it goes, when it comes to the a virtual school, you know, it’s been a transformational experience in, in, so the Toronto Catholic school board has reasons to be proud in, in so many ways because it really is this collective effort coming together to support students in a time that none of us thought we would ever encounter, I, or thought that I would encounter in my educational career, let alone my life, something at this scale. And I think if you look at it through an objective point of view, it really is about recognizing that each student that we serve, each family is unique. So we want there to be the most holistic experience possible. That’s not to say that it’s not imperfect. It is by, you know, everything we’re we’re human beings. So none of us are, are perfect. Right. But the intentions are sound in regards to the work that I’m doing now with the virtual school and in regards to COVID teen and pandemic learning, I think we’re all in education going to really need to pause and reconfigure what teaching and learning really means.

Anthony Perrotta (35:38):
And you talked to me earlier about servant leadership, and I think we’re going to have to do a lot more around that and continue the good work we’re doing, because what COVID has shown us is it’s not about content. It’s not about tests and it’s not about quizzes. It really is out that relational human leadership that is needed. And I see it with the wonderful teachers that work with my son and daughter, they know how to gauge the kids. They know when it’s time to put away the work. And more importantly, they’ve created safe places for them. They go to school mask on happy. They don’t like when they’re put in quarantine or when they’re on lockdown, they wanna be in those spaces. Why not? Because of just the fact that they like to learn. They have my wife’s side. They are very much self-directed learners and, and, and love schooling.

Anthony Perrotta (36:37):
They do their homework. They’re excited about that type of stuff. I was excited about schooling because of the social side. I was never the tiny rule doing his homework. Yeah. but they love all aspects of, of schooling. And I think any educator that puts kids first truly first, like who is that child in front me and how can I best empower them to be the very best that they can be? And as a Catholic educator, what drives me is how can I support this student in being what God intends them to be, whatever that is. Am I providing the safe place for that? I always thought that as a teacher and imperfect, you know, there’d be times, you know, and if I had my students here, many of them would tell you, this is, you know, we’re a production classroom. Yeah. So we would produce movies.

Anthony Perrotta (37:39):
We had a end of year showcase. Every school I taught at was driven by this end of year, bigger than life showcase. And for the last six years, when I taught at an all boys school SHA not college school, the end of year showcase was happening at Yorkdale silver city. One of the biggest multiplexes in the city of Toronto and the whole year was guided towards the end of may, when all of our short films, digital movie posters, graphic media would be on display, not only projected on the big screen, but taking over the concession area. And it would be our end of your showcase on the most Grandes of scales, we had filmmakers who were partners. We were doing work with Disney Canada. We would have video with academics, with filmmakers. I mean like major Hollywood filmmakers. We would go see Steven Spielberg movie and then have a Skype with the screenwriter of that Steven Spielberg movie.

Anthony Perrotta (38:31):
Everything was exponential to the max, which was quite exciting as somebody who just loves that world. But within that space, there could be a lot of imperfection. I could lose my cool, I could pass judgment without perhaps thinking I could lose my patience. And one of the things I pride pride myself on, even as a parent, is my ability to apologize. And I would apologize to the students if there was a morning where we weren’t meeting the demands of production and, you know, I forgot where I was and maybe became impatient, right. And raised my voice, or maybe made someone feel unwelcome. Right. We’re all IM perfect. What mattered next was, do I respect that human being in a way that will make them feel welcomed and right. That will make them feel and know that I value them. And that would only happen with, Hey class yesterday. I lost my cool on Sam. That wasn’t cool of me. I apologize.

Sam Demma (39:38):
Mm.

Anthony Perrotta (39:39):
Right. Sam matters, Sam, I’m sorry, buddy. Right. I didn’t really have many high school teachers who would do that.

Sam Demma (39:46):
Yeah.

Anthony Perrotta (39:48):
And I would do that because I respected the kids, their stories, their uniqueness. So very much the first two of admit that I’m imperfect, but I will do the work to try to limit how many times that imperfections taint my journey.

Sam Demma (40:07):
I love that. That’s it’s, it’s, it’s so important I think, to own up to MI to mistakes or imperfections and we all have them. So it’s a great reminder, even for everyone listening, because it, I’m sure we could all, you know, point fingers at ourselves at those moments. But like, you’re right. What what’s important is that we, we acknowledge them and we bring them to light and apologize and make up for them. Right.

Anthony Perrotta (40:31):
Yeah. And you know, and I, no, I believe that even as a parent, you know, I, there’s been many times where, and what I love about Mike kids. They’re very, very, very self efficient as a 10 and 70 year old. And their self advocacy is like through the, through the, through the roofs, like level four, they will stand up for themselves. And that’s very much something. My wife and I have instilled in them. And that’s very much my extroverted personality where I will stand for what I believe in. I was the person in staff rooms that would say, Hey, you know, that’s perhaps not the conversation to have here. I’ve been in really courageous conversations in staff meetings where, you know, I would stand up and say, Hey, right, have we thought about this? Have we thought about this? Is it us? Are we not doing the job?

Anthony Perrotta (41:22):
And that can make people kind of uncomfortable, but that self advocacy or that willingness to engage in courageous dialogue is something I believe in and something I try to instill in my own children. So as a parent, if I discipline and let’s say, I raise my voice to my son, for example, he has no problem saying, Hey, this doesn’t make sense. Why are you raising your voice at me? Why am I being penalized when this, and this happened? And at 70 years old, old, he’ll say it. And he’s not saying it to be rude. He’s not talking back. He’s sharing what’s on his mind. And you know, I grew up first generation immigrant. My parents are Italian fresh off the boat and we didn’t talk back to our parents. Right. We didn’t as a child, I didn’t say to my dad, oh, by the way, I think you’re understanding of the, this this, this consequence is unfiting like, you’d be like, are you kidding me?

Anthony Perrotta (42:18):
Like it would be nuclear apocalypse. You know, we parent differently. And there’s been many times when I’ve said to my own children, Hey, you know what, sorry, I lost my temper there. Or you know what you were right. Right. I jumped to conclusions that didn’t happen the way it did, you know, let’s talk it out. And I think that shows my kids, hopefully that I actually do value, right. Their perspective and their sense of self worth. And that’s something I think we have to model in, in our everyday encounters with young people, the kids that are sent to us, right? These are not. So imagine the great responsibility we have when another parent or caring adults, guardian grandparents sends you this human being. It’s a huge responsibility. So we have to really ensure to check our ego out the door as much as we can.

Sam Demma (43:13):
I love it. And I think when you have those crazy conversations and you allow the other party, whether it’s a young person or, you know, any human being to, to give you feedback in any way, shape or form, it also shows in that there’s a safe space and that, you know, their opinion and voice matters. As much as it might be uncomfortable for you to hear it, you know, as it is for most of us to hear feedback that we don’t, you know want to hear at certain times, but that’s arguably when we need it most Anthony, this has been a great conversation. We talked about so many different things. Thank you so much for taking the time to do this.

Anthony Perrotta (43:49):
No, no problem. I hope by, you know, made sense to some of the ideas that I shared. I think to summarize who I am as an educator, and I’m still growing, I’m still growing really is shaped. Believe it or not by all of that film work. Hmm. You know, the two worlds are not disconnected. There’s a transcendence between the two, there’s an interconnectivity between to, and my mindset around teaching and learning. I don’t think it would be there without studying film production, knowing how to mobilize and tell the story and then sharing that with kids. I don’t think I would be where I am in terms of education and being an educator without living in a college dorm and being a counselor. I, I don’t think that the type of films I was working to tell and documentary, which were really community minded, really about being responsive to other people’s stories. Without those, I, I don’t think I’d be as open to making sure that my classroom wasn’t about me. And that’s really, for me, the end game about teaching and learning that it is not about me. It’s not about any type of prescribed rendering. I may have. It really needs to be responsive to who the student is, their families. And if that means I have to do a lot of unlearning, then that’s what I need to do. That’s what I’m called to do.

Sam Demma (45:32):
I love it. The, the student-centric like, that’s the main take. That’s my main takeaway, listening to this, you know, the students be the center of everything we do,

Anthony Perrotta (45:40):
It’s student, student students. And you know, that is could be complicated at times, especially when you’re working with adults. Right? Yeah. And I just live every day, whether I was a classroom teacher. And now as a vice principal, I’m still a teacher. I still see myself as a teacher, even though the roles are different. Yeah. Every day that I’m working, it really is what’s best for students. Got it. And that’s the guiding, that’s the guiding compass.

Sam Demma (46:09):
I love it. And if someone is listening to this and is inspired and just wants to have a conversation to dive deeper in some of your own philosophies and maybe exchange a, you know, a nice conversation, what would be the best way for them to get in touch with you?

Anthony Perrotta (46:23):
They could reach me on Twitter. I, I love using Twitter as a professional learning network, so many wonderful educators. So anyone who would like to chat and, you know, have a good dialogue about education and what teaching and learning is now and what is potentially going to need to be, please reach out. This is all part of the learning. There’s no right or wrong concept or thinking. It’s all about that shared experience of having a good dialogue. So yeah, look forward to it.

Sam Demma (46:49):
Awesome. Anthony, thank you so much. And keep up the great work.

Anthony Perrotta (46:52):
Thank you, buddy. Thanks so much.

Sam Demma (46:54):
And there you have it. Another amazing guest, an amazing interview on the High Performing Educator podcast. As always, if you enjoy these episodes, please consider leaving a rating and review so other educators like yourself can find this content and benefit from it. And here’s an exclusive opportunity that I mentioned at the start of the show; f you want meet the guest on today’s episode, if you wanna meet any of the guests that we have interviewed, consider going to www.highperformingeducator.com and signing up to join the exclusive network, you’ll have access to networking events throughout 2021 and other special opportunities. And I promise I will not fill your inbox. Talk to you soon. I’ll see you on the next episode.

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The High Performing Educator Podcast was brought to life during the outbreak of COVID-19 to provide you with inspirational stories and practical advice from your colleagues in education.  By tuning in, you will hear the stories and ideas of the world’s brightest and most ambitious educators.  You can expect interviews with Principals, Teachers, Guidance Counsellors, National Student Association, Directors and anybody that works with youth. You can find and listen to all the episodes for free here.